片名：红花之歌
关键词：红花之歌免费在线观看
电影类别:剧情片
发行年份：1919
首映地区：瑞典
导演：莫里兹·斯蒂勒
演员：Greta,约翰·埃克曼,伊迪丝·埃拉斯托夫,奥洛夫·奥斯,Hjalmar,Nils
更新时间：2024-05-13 01:20
《红花之歌》讲述的是什么故事？
“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today.
The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster.
As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself.
“Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.
被称为剧情片的开先河之作的《红花之歌》，是莫里兹·斯蒂勒最好的作品吗?
从莫里兹·斯蒂勒斩获剧情片最佳导演 我就觉得这部《红花之歌》是他最好的电影。虽然莫里兹·斯蒂勒后来还拍出来了评价特别好的电影，但是《红花之歌》是他电影的代表作品。
《红花之歌》有哪些槽点？
《红花之歌》这部剧的题材是一部剧情片，但是《红花之歌》这部剧给大家的整体风格却是一部喜剧，丝毫没有一部剧情片的感觉，这也是大家吐槽的第一个地方，先不说这部剧《红花之歌》的主演Greta,约翰·埃克曼,伊迪丝·埃拉斯托夫,奥洛夫·奥斯,Hjalmar,Nils的演技如何，光光看《红花之歌》这部剧的逻辑和节奏，就丝毫没有一部剧情片的感觉，《红花之歌》剧中最大的一个特点就是剧情过于套路化，好像所有的情节都是按照《红花之歌》剧本的发展一样，丝毫没有创新，这也与本剧的导演莫里兹·斯蒂勒密切相关的。一部好的剧情片应该有一个优秀的导演导演可以让这部剧的情节跌宕起伏，激发观众的观看兴趣。同时这部剧在开播之前也没有进行大方面的宣传导致观众对这部剧的了解非常少，《红花之歌》的热度也因此不断下降， 一部优秀的剧情片尤其是像《红花之歌》这样热度非常高的剧情片系列不应该过度地注重主角，而是要注重《红花之歌》剧情本身一部剧情片的灵魂就是这部剧的情节，如果情节中都存在瑕疵，又怎样引起观众的兴趣。
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