片名：神童1965
关键词：神童1965免费在线观看
电影类别:喜剧片
发行年份：1965
首映地区：美国
导演：Henry Koster
演员：James Stewart,Glynis Johns,Cindy Carol,Bill Mumy,John Williams
更新时间：2023-10-04 16:20
《神童1965》讲述的是什么故事？
Dear Brigitte is one of the funniest comedies from the 1960s, about a tone-deaf, color-blind boy genius with one interest: Brigitte Bardot. James Stewart plays professor Robert Leaf, a typical college professor (when speaking of college professors typical means liberal, but this was 40 years ago and labels change). Leaf teaches poetry, lives in a houseboat in San Francisco, vocally opposes nuclear power and progress in general. He has an original way to make the family stick together - family concerts. His daughter calls him square. Leaf's 8-year old son Erasmus is played by Billy Mumy (Sammy the Way Out Seal, Lost In Space, Bless The Beasts & Children, Three Wishes). Leaf hopes to find artistic genius of some sort in his only son, and nurtures him in music, painting, literature, etc. But Leaf is disappointed, to put it mildly, when it turns out Erasmus has a gift for math, can out-think the colleges newest computer, instantly compute horse-race winners. I don't want to give away too much of the plot, but Erasmus had been writing to Bardot regularly, and after the family comes to depend on his ability, his love-sickness causes a mental block. Glynis Johns (Father's Delicate Condition, The Cabinet of Caligari, Mary Poppins) plays Leaf's wife. Ed Wynn (Requiem For A Heavyweight, Mary Poppins) is a neighbor / captain / narrator. Other cast include Fabian, Cindy Carol, John Williams, Jesse White, Jack Kruschen, and James Brolin in an early bit part. Brigitte Bardot appears at the end.
被称为喜剧片的开先河之作的《神童1965》，是Henry Koster最好的作品吗?
从Henry Koster斩获喜剧片最佳导演 我就觉得这部《神童1965》是他最好的电影。虽然Henry Koster后来还拍出来了评价特别好的电影，但是《神童1965》是他电影的代表作品。
《神童1965》有哪些槽点？
《神童1965》这部剧的题材是一部喜剧片，但是《神童1965》这部剧给大家的整体风格却是一部喜剧，丝毫没有一部喜剧片的感觉，这也是大家吐槽的第一个地方，先不说这部剧《神童1965》的主演James Stewart,Glynis Johns,Cindy Carol,Bill Mumy,John Williams的演技如何，光光看《神童1965》这部剧的逻辑和节奏，就丝毫没有一部喜剧片的感觉，《神童1965》剧中最大的一个特点就是剧情过于套路化，好像所有的情节都是按照《神童1965》剧本的发展一样，丝毫没有创新，这也与本剧的导演Henry Koster密切相关的。一部好的喜剧片应该有一个优秀的导演导演可以让这部剧的情节跌宕起伏，激发观众的观看兴趣。同时这部剧在开播之前也没有进行大方面的宣传导致观众对这部剧的了解非常少，《神童1965》的热度也因此不断下降， 一部优秀的喜剧片尤其是像《神童1965》这样热度非常高的喜剧片系列不应该过度地注重主角，而是要注重《神童1965》剧情本身一部喜剧片的灵魂就是这部剧的情节，如果情节中都存在瑕疵，又怎样引起观众的兴趣。
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