片名：弗兰克·劳埃德·赖特：建筑美国之人
关键词：弗兰克·劳埃德·赖特：建筑美国之人免费在线观看
电影类别:喜剧片
发行年份：2017
首映地区：英国
导演：Ian Michael Jones
演员：Jonathan Adams
更新时间：2023-04-21 11:57
《弗兰克·劳埃德·赖特：建筑美国之人》讲述的是什么故事？
Frank Lloyd Wright is America's greatest-ever architect. However, few people know about the Welsh roots that shaped his life and world-famous buildings. Now, leading Welsh architect Jonathan Adams sets off across America to explore Frank Lloyd Wright's masterpieces for himself. Along the way, he uncovers the tempestuous life story of the man behind them and the significance of his radical family background.
In a career spanning seven decades, Frank Lloyd Wright built over 500 buildings, and changed the face of modern architecture: Fallingwater, the house over the waterfall, has been called the greatest house of the 20th century; the spiralling Guggenheim Museum in New York reinvented the art museum; the concrete Unity Temple was the first truly modern building in the world. But the underlying philosophy that links all Wright's buildings is as important as anything he built.
Those ideas were rooted in the Unitarian religion of Frank Lloyd Wright's mother. Anna Lloyd Jones was born and raised near Llandysul in west Wales and migrated to America with her family in 1844, most likely to escape religious persecution. Her son, Frank, was raised in a Unitarian community in Wisconsin, a small piece of Wales in America. The values he absorbed there were based on the sanctity of nature, the importance of hard work, and the need to question convention and defy it where necessary. Wright's architecture was shaped by, and expressed, these beliefs.
Frank Lloyd Wright set out to create a new American architecture for a new country. He built his own lifelong home in the valley he was raised in, and he named it after an ancient Welsh bard called Taliesin. It was the scene of many adventures - and a horrific crime. In 1914, a servant at Taliesin ran amok and killed seven people including Wright's partner, Mamah Cheney, and her two young children.
Wright rebuilt his home and went on to marry a Montenegrin woman, Olgivanna Milanoff, some 30 years younger than him. It was Olgivanna who struck upon the idea that saved Wright's career after the Wall Street Crash and personal scandal laid it low. She decided that her husband should take on apprentices and that the apprentices should pay for the privilege. The Taliesin Fellowship had a hands-on approach, with apprentices often building extensions to Wright's own houses, labouring and cooking for him. Somehow it worked, lasting for decades and nurturing hundreds of young talents.
Frank Lloyd Wright died in 1959 aged 91 while working on his final masterpiece, New York's incomparable Guggenheim Museum. He had been born in the wake of the American civil war, the son of a pioneer, and died a television celebrity, in the space age. He is buried in the shadow of Taliesin, alongside his Welsh ancestors.
A 150 years after his birth, Jonathan Adams argues that Frank Lloyd Wright is now a vitally important figure who can teach us how to build for a better world. Wright believed in what he called organic architecture; buildings that grace the landscape, express an idea of how to live and respond to individual needs. This bespoke approach - a philosophy, not a style - puts him at the heart of modern architectural thinking.
被称为喜剧片的开先河之作的《弗兰克·劳埃德·赖特：建筑美国之人》，是Ian Michael Jones最好的作品吗?
从Ian Michael Jones斩获喜剧片最佳导演 我就觉得这部《弗兰克·劳埃德·赖特：建筑美国之人》是他最好的电影。虽然Ian Michael Jones后来还拍出来了评价特别好的电影，但是《弗兰克·劳埃德·赖特：建筑美国之人》是他电影的代表作品。
《弗兰克·劳埃德·赖特：建筑美国之人》有哪些槽点？
《弗兰克·劳埃德·赖特：建筑美国之人》这部剧的题材是一部喜剧片，但是《弗兰克·劳埃德·赖特：建筑美国之人》这部剧给大家的整体风格却是一部喜剧，丝毫没有一部喜剧片的感觉，这也是大家吐槽的第一个地方，先不说这部剧《弗兰克·劳埃德·赖特：建筑美国之人》的主演Jonathan Adams的演技如何，光光看《弗兰克·劳埃德·赖特：建筑美国之人》这部剧的逻辑和节奏，就丝毫没有一部喜剧片的感觉，《弗兰克·劳埃德·赖特：建筑美国之人》剧中最大的一个特点就是剧情过于套路化，好像所有的情节都是按照《弗兰克·劳埃德·赖特：建筑美国之人》剧本的发展一样，丝毫没有创新，这也与本剧的导演Ian Michael Jones密切相关的。一部好的喜剧片应该有一个优秀的导演导演可以让这部剧的情节跌宕起伏，激发观众的观看兴趣。同时这部剧在开播之前也没有进行大方面的宣传导致观众对这部剧的了解非常少，《弗兰克·劳埃德·赖特：建筑美国之人》的热度也因此不断下降， 一部优秀的喜剧片尤其是像《弗兰克·劳埃德·赖特：建筑美国之人》这样热度非常高的喜剧片系列不应该过度地注重主角，而是要注重《弗兰克·劳埃德·赖特：建筑美国之人》剧情本身一部喜剧片的灵魂就是这部剧的情节，如果情节中都存在瑕疵，又怎样引起观众的兴趣。
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